“This is a Heldentenor who treats Wagner with the subtlety and tenderness of a Lieder singer, making the climaxes all the more powerful.” OperaNow, July 2019
“Bryan Register gave a tirelessly detailed performance of the punishing role of Tristan" Opera News, August 2019
“It is now clear that the best Tristan on stage is here that I have ever seen in a theater... Bryan Register has a real baritone-colored heroic tenor and the timbre is particularly beautiful." Leidmotief, 4th May 2019
“Throughout the famous scene of agony, his valour is one that is not often experienced in the theatre. The beautifully welded registers allow him to traverse the full range of emotions, without dodging any of the difficulties of this murderous role, and without the slightest sign of overwork...” Opera Online, 30 January 2020
“Bryan Register is a powerful Heldentenor who dealt expertly with all the vocal and dramatic issues that come with the role of Tristan. He brought out a sense of total abandonment in the great second-act love duet and gave full justice to his long third-act monologue.” Opera, May 2020
“Bryan Register debuted in the giant part of Aeneas. His tenor has both softness and metal; he has the mighty hero figure, and acted with an ample amount of power and expression.” NMZ online, 26th February 2017

Welcome to the official website for tenor Bryan Register. Here you can read all of the latest news and reviews, find out where Bryan is performing next, browse video and audio clips, view photos from previous productions and learn more about Bryan’s career to date.

Latest News

15th May 2020

Tristan und Isolde – Bologna

“Bryan Register is a powerful Heldentenor who dealt expertly with all the vocal and dramatic issues that come with the role of Tristan. He brought out a sense of total abandonment in the great second-act love duet and did full justice to his long third-act monologue.”

Opera, May 2020

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25th July 2019

Tristan und Isolde – La Monnaie, Brussels

“Bryan Register paces his Tristan superbly, so that there is plenty in reserve for his great final act outpouring. This is a Heldentenor who treats Wagner with the subtlety and tenderness of a Lieder singer, making the climaxes all the more powerful.”

OperaNow, July 2019

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