• “This is a Heldentenor who treats Wagner with the subtlety and tenderness of a Lieder singer, making the climaxes all the more powerful.” OperaNow, July 2019
  • “Bryan Register gave a tirelessly detailed performance of the punishing role of Tristan" Opera News, August 2019
  • “It is now clear that the best Tristan on stage is here that I have ever seen in a theater... Bryan Register has a real baritone-colored heroic tenor and the timbre is particularly beautiful." Leidmotief, 4th May 2019
  • “Throughout the famous scene of agony, his valour is one that is not often experienced in the theatre. The beautifully welded registers allow him to traverse the full range of emotions, without dodging any of the difficulties of this murderous role, and without the slightest sign of overwork...” Opera Online, 30 January 2020
  • “Bryan Register is a powerful Heldentenor who dealt expertly with all the vocal and dramatic issues that come with the role of Tristan. He brought out a sense of total abandonment in the great second-act love duet and gave full justice to his long third-act monologue.” Opera, May 2020
  • “Bryan Register debuted in the giant part of Aeneas. His tenor has both softness and metal; he has the mighty hero figure, and acted with an ample amount of power and expression.” NMZ online, 26th February 2017


26th September 2013

Bryan Register returns to English National Opera in Beethoven’s Fidelio

On 1 and 3 October, Bryan Register returns to English National Opera to make his role debut as Florestan in Calixto Bieito’s production of Beethoven’s Fidelio. A co-production between ENO and Bayerische Staatsoper, Fidelio will be conducted by Edward Gardner and feature Emma Bell, Philip Horst, James Creswell and Sarah Tynan. This follows on from Bryan’s house debut as Drum Major last season in the critically acclaimed production of Berg’s Wozzeck, directed by Carrie Cracknell.

For more information about the production, visit the English National Opera website.